Synopsis:
On an island of haves and have-nots, teen John B enlists his three best friends to hunt for a legendary treasure linked to his father’s disappearance.
Format: 10 episodes, streaming now on Netflix.
Cast: Chase Stokes, Madelyn Cline, Madison Bailey, Jonathan Daviss, Rudy Pankow, Charles Esten, Austin North, Drew Starkey, Adina Porter, Caroline Arapoglou, Nicholas Cirillo
Directors: Jonas Pate (eps. 1–2, 5–6, 9–10), Cherie Nowlan (3–4), Valerie Weiss (7–8)
Writers: Josh Pate (created by; eps. 1, 3, 5, 10), Jonas Pate (created by; ep. 4), Shannon Burke (created by; eps. 1–2, 5, 10), Keith Josef Adkins (6), Kathleen Hale (6–7), Rachel Sydney Alter (8), Dan Dworkin (9), Jay Beattie (9)
The teen-drama pipeline has been busy lately—Netflix, The CW and others keep them coming. It takes something unique to make a new series stand out, and Outer Banks certainly does: the promise of lost treasure.
Set on North Carolina’s Outer Banks, the series follows John B (Chase Stokes) and his friends JJ (Rudy Pankow), Pope (Jonathan Daviss) and Kiara (Madison Bailey)—“the Pogues.” In the wake of a hurricane that knocks out power, the Pogues stumble across the first clues to a shipwreck’s treasure and to the truth behind John B’s father’s disappearance.
Like many shows in the genre, class divide is a recurring theme: the working-class Pogues (with the exception of Kiara) versus “the Kooks,” the cardigan-and-boat-shoes crowd who frequent the country club. Post-hurricane, the gap widens—Kooks can afford generators to keep the lights on—though that idea isn’t a major focus.
Outer Banks is stocked with familiar teen-drama archetypes. John B is the charismatic ringleader; Pope is the future-focused, nerdy kid; Kiara is from a well-off family but rolls with the Pogues; JJ is impulsive and comes from a violent, troubled home. On the Kook side: Ward Cameron (Charles Esten), a Pogue-turned-Kook–now-developer who employs John B; his daughter Sarah (Madelyn Cline), John B’s main love interest despite class lines and her possessive boyfriend, Topper (Austin North); and Rafe (Drew Starkey), the entitled rich kid sliding into the drug scene.
The characters aren’t the most fleshed-out we’ve seen—John B, JJ and Ward get the meatiest development—while Topper and Rafe mostly exist to be obstacles. It’s also surprising how few female characters there are and how little they get to do for a show in this lane.
The treasure-hunt hook and coastal setting help the series stand apart. With big money at stake, shady players are in the mix, leading to firefights, fistfights and chases. The water-adjacent locale fuels lots of boat misadventures and splashy set pieces. Action is generally shot well, but two handheld chase sequences are tough to watch—so shaky they feel like someone loosely chest-mounted a GoPro. They happen early and only twice, mercifully.
The show is great at ending episodes on cliffhangers or reveals that push you to keep watching. Pacing can be uneven—some parts drag when it leans into soapier detours, while other plot points could use more breathing room.
Outer Banks is a fun ride that loses some shine whenever it strays from the treasure trail. If you love teen drama, it’s worth a look—even if it’s got far less depth than the waters it sails.
