Koalaty Critics: Gotham Knights – Australia Review Roundup
<p class="">The consensus on Gotham Knights is hard to say as what some writers seem to dislike the game strongly, others writers say it is a mere distraction.</p>
Koalaty Critics: Gotham Knights — Australian Review Roundup
Early impressions are split: fun co-op and Bat-family vibes vs. uneven performance and systems bloat.
Based on 9 scored Australian reviews (excludes unscored).
- 👍 2-player co-op is a standout
- ⚔️ Combat opinion is split
- 🧰 Loot/gear systems feel bloated for many
- 🚓 Gotham vibes & Court of Owls story mostly land
- 🐢 Performance drops below 30 fps noted widely
Ani-Game — 7/10
“Combat feels nice… great character moments… falls short due to forced-feeling RPG loot and pacing issues in missions and bosses.” — Joel Gralton
Checkpoint Gaming — 7.5/10
“Seamless, drop-in 2-player co-op is the saving grace… fully untethered and genuinely fun.” — Luke Mitchell
Explosion Network — 7.5/10
“Flounders under the Court of Owls’ weight, but still a great Bat-family experience that explores a world after Batman.” — Ciaran Marchant
GamesHub — 8/10
“Hard-hitting encounters and gothic quests feel like a spiritual successor to Arkham.” — Leah J. Williams
Kotaku Australia — Unscored
“Caught between Arkham and Avengers, struggling to carve its own identity.” — David Smith
Maxi-Geek — 6.5/10
“Fantastic Court of Owls take, but characters don’t feel unique and missions are standard.” — Terence Soet
PowerUp Gaming — 6.5/10
“Fast travel unlocks are busywork; systems often overcomplicate the fun.” — Adam Mathew
Press Start — 7.5/10
“Despite gripes, it’s addictive and enjoyable to roam Gotham and grow your hero.” — James Berich
Stevivor — 4/10
“Generic romp; co-op boss fights saw big drops; Bat-family fans may be disappointed.” — Steve Wright
WellPlayed — 5/10
“Pretty world, shallow structure; systems bloat drags the combat and pacing.” — Adam Ryan
Dylan Blight
[He/Him] Dylan Blight is the Founder and Editor-in-Chief of Explosion Network, an independent Australian publication covering video games, film, television and pop culture. Since founding Explosion Network in 2017, Dylan has written and produced reviews, news, interviews, features and podcasts across the entertainment industry, while overseeing the publication's editorial direction and content.
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